Friday, 27 September 2013

Unveiling Lady Clare









Unveiling Lady Clare has been shortlisted for the 2015 RoNA Rose Award!












Unveiling Lady Clare, The Knights of Champagne Book 2


THE SECRETS BEHIND HER EYES... 


Sir Arthur Ferrer catches sight of her among the stands at the Twelfth Night joust. There is something about her eyes…. He's seen them before. But when he goes to find the mysterious woman who has so captivated him, she's disappeared! 

Clare has been running from a dark past that she can never speak of. But this handsome knight seems determined to unveil her secrets. Will she dare to let him glimpse the real Lady Clare? 

To read a sample, click below:


The Knights of Arkeley enacting a joust at Hedingham Castle.





















Background

The Knights of Champagne  stories were inspired by the Arthurian myths and legends. Some of the earliest versions of the Arthurian stories were written in the twelfth century by an influential poet called Chrétien de Troyes. Troyes was the walled city in Champagne where Chrétien lived and worked.  Pictures of Troyes may be found here.

Chrétien's patron, Countess Marie of Champagne, was a princess – daughter of King Louis of France and the legendary Eleanor of Aquitaine. Countess Marie’s splendid, artistic court in Troyes rivalled Queen Eleanor’s in Poitiers.

The books in the Knights of Champagne mini-series are not an attempt to rework the Arthurian tales, they are original romances set around the Troyes court.  I wanted to tell stories about some of the lords and ladies who might have inspired Chrétien – and I was keen to give the ladies a more active role since Chrétien’s ladies tend to be too passive for today’s reader. Apart from a brief glimpses of Count Henry and Countess Marie, the characters are all fictional. I have used the layout of the medieval city to create my Troyes, but this series is first and foremost fictional.

Friday, 22 March 2013

Lady Isobel's Champion




To read an excerpt, please click on the widget above.

Cover Blurb

HIS LADY IN WAITING


In her long years at the convent, waiting for her betrothed, Lady Isobel de Turenne has built the Comte d’Aveyron into a fantasy—a man who will rescue, protect and love her.…


But when the comte finally returns to claim his bride, Isobel finds instead a man of contradictions—one who masks dark secrets with desire.


Wary of a man’s touch but desperate to grasp her new freedom, Isobel must decide if it’s solely duty forcing the comte to marry or whether he is truly her longed-for champion.


Knights of Champagne

Three Swordsmen for Three Ladies


Background

The Knights of Champagne  stories were inspired by the Arthurian myths and legends. Some of the earliest versions of the Arthurian stories were written in the twelfth century by an influential poet called Chrétien de Troyes. Troyes was the walled city in Champagne where Chrétien lived and worked.  Pictures of Troyes may be found here.


Chrétien's patron, Countess Marie of Champagne, was a princess – daughter of King Louis of France and the legendary Eleanor of Aquitaine. Countess Marie’s splendid, artistic court in Troyes rivalled Queen Eleanor’s in Poitiers.


The books in the Knights of Champagne mini-series are not an attempt to rework the Arthurian tales, they are original romances set around the Troyes court.  I wanted to tell stories about some of the lords and ladies who might have inspired Chrétien – and I was keen to give the ladies a more active role since Chrétien’s ladies tend to be too passive for today’s reader. Apart from brief glimpses of Count Henry and Countess Marie, the characters are all fictional. I have used the layout of the medieval city to create my Troyes, but this series is first and foremost fictional.


Here are some pictures of the Abbey at Conques in southern France. In the story, Lady Isobel spent years in a fictional convent near Conques. The first picture is the Abbey as seen from the top of the hill, the photo was taken in the morning when the early mist was beginning to melt away.




















This is a sketch my husband did of a section of columns in the cloisters.











These knights can be found on one of the capitals...














And here's my husband in the guise of a pilgrim,  looking towards Conques.


For more about this book and mini-series, please click on one of the links in the 'Labels' section below.








     

 
 
 
    Reviews from Goodreads.com
 



    

Wednesday, 23 January 2013

RoNA Rose Award Shortlist for 2013!

The RoNA Rose Award recognises the best in category/series and shorter romance that focus on a developing love affair between the hero and heroine.  The Award is presented by the Romantic Novelists' Association.


Update:
Here we are at the Awards, and the winner was Sarah Mallory! (in the middle of the photo.)

We had a lovely day, Mills & Boon took us out to lunch beforehand, and then there was a glittering reception at the RAF Club when the Awards were announced. It was wonderful to be part of it!





The shortlist:
Fiona Harper, Always the Best Man, Harlequin Mills & Boon Riva
Sarah Mallory, Beneath the Major's Scars, Harlequin Historical
Heidi Rice, The Good, the Bad and the Wild, Harlequin Mills & Boon Riva
Carol Townend, Betrothed to the Barbarian, Harlequin Historical
Scarlet Wilson, West Wing to Maternity Wing, Harlequin Mills & Boon Medical
Scarlet Wilson, Her Christmas Eve Diamond, Harlequin Mills & Boon Medical

Congratulations to everyone on the list!   I am thrilled Betrothed to the Barbarian is included.   It's  the final novel in a trilogy set in eleventh century Byzantium.  Read more about this novel here.

Betrothed to the Barbarian - UK Cover

Sunday, 20 January 2013

Medieval Furnishings - Reconstruction in Dover Castle

The royal chambers in Dover Castle have been marvellously recreated to give a flavour of what life might have been like for a privileged few in the twelfth century.  Below are some pictures from our visit in the summer.  Some of the scenes in the Knights of Champagne could have taken place in rooms like these.

Colours are dazzlingly bright, even garish, and the overall impression is one of luxury.   These are apartments which were designed to impress.  There were virtually no private spaces, the King would carry on some of the business of government even when in his bedchamber!
 This chamber has been laid out as though ready for a twelfth century banquet.  Note the knights' shields above the wall-hangings, and the larger tapestry at the end.
Here's a glimpse into the king's bedchamber.  Wall-hangings, murals and furniture are brightly painted.  As the bedchamber is so large, the curtains around the bed would have been necessary to stop draughts, as well as ensure a small measure of privacy.
The cross-framed camping stool next to the bed is similar to one in the medieval palace in the Tower of London.  It's a reminder of the peripatetic nature of court life.  To ensure the smooth running of his government, the king and his courtiers were constantly on the move.
The ships on this mural are reminiscent of those on the Bayeux Tapestry....
Here's a dazzlingly painted spindle chair, with a nearby chess set laid out for the next game...












Painted linen press

Painted coffer with elaborate iron banding, locks and hinges,
again ready for quick moves to the next castle...


The king's hall


On the left is an early example of a lighthouse -
the Dover lighthouse dates from Roman times!
(I know the lighthouse isn't strictly speaking part of the medieval reconstruction, but I love the idea of a lighthouse going so far back in time...)
For more about Dover Castle see here.